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Beatrice Anne & Odin Scott Coleman

Through his original songs and idiosyncratic reimaginings of the American folk vernacular, Odin Scott Coleman feels like the sort of musician your great-grandparents might have whooped and hollered for. 

Equipped with a banjo, a whistle worthy of working to, and a penchant for storytelling, Coleman spins a compelling yarn as he weaves together elements of the frontier ballad, IWW labor song, sea chantey, and Appalachian folk ballad.

Though brought up in a maritime household in the great Pacific Northwest, Coleman moved to Los Angeles in 2021 after having spent a handful of years living, traveling, and busking around Europe. He has since established a strong presence in L.A.’s folk community, having performed at iconic venues such as Zebulon, the Hotel Cafe, and Club Tee Gee. He has conducted masterclasses with Alan Parsons OBE and has cinched a 1st place slot at the Topanga Banjo/Fiddle Festival three years in a row (‘24-‘26).

In 2026, his “Song for Renee Good,” posted on TikTok, was featured in Rolling Stone. He also performed at the iconic White Horse Tavern in Austin, TX for SxSW. In summer 2026, he will be releasing a short EP recorded live in-studio at Soggy Anvil Records.

Beyond his music, Coleman has worked as an illustrator, a professor, a line cook, a waiter, a dishwasher, a janitor, a maintenance technician, a door-to-door fishmonger, a black market tobacconist, and currently works in the family trade as a deckhand aboard a small Alaskan cargo ship.

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Beatrice Anne is a folk musician and songwriter originally from the PNW. Her sound is inspired by the singing of Shirley Collins, Karen Dalton and Ginny Hawker. Her song crafting and art is largely influenced by her deep connection to the natural world through flowers, farming, and a deep desire to tell the truth. Her sound has been described as having had more birthdays than she has. 

Having lived in Paris as a teenager she then graduated to NYC in later years and explores themes of home, faithfulness, and the traditional elements and phrasings in the folk songs that raised her paired with soulful reflections on her real life and the lives she makes up in her head. 

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October 9

Hazel Delehey